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The Visible and the Invisible: On Seventeenth-Century Dutch Painting

By (author) Daniela Hammer-Tugendhat

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Price: R 1,804.95


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The book addresses the scientific debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices. Dutch painting of the seventeenth century reflects its relationship to visible reality. It deals with ambiguities and contradictions. As an avant-garde artistic media, it also contributes to the emergence of a subjectivity towards the modern “bourgeois”. It discards subject matter from its traditional fixation with iconology and evokes different imaginations and semantizations - aspects that have not been sufficiently taken into account in previous research. The book is to be understood as an appeal for art history as a form of cultural science that analyses the semantic potential of art within discursive and social contemporary practices, and, at the same time, demonstrates its relevance today. Works by Rembrandt, Metsu, Vermeer, Hoogstraten, and others serve as exemplary case studies for addressing current debates in art history and cultural studies, such as representation of gender difference, relationship between text and image, and emotional discourse.

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Normally shipped | Usually dispatched in 3 to 6 weeks as supplier is out of stock
Publisher | De Gruyter
Published date | 26 Feb 2015
Language |
Format | Hardback
Pages | 340
Dimensions | 240 x 170 x 0mm (L x W x H)
Weight | 1092g
ISBN | 978-3-1104-2690-8
Readership Age |
BISAC | art / european


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Normally shipped | Usually dispatched in 3 to 4 weeks as supplier is out of stock
Readership Age |
Normal Price | R 1,957.95
Price | R 1,859.95 | on special |



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