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Artistsâ€™ Moving Image in Britain Since 1989

Edited by Erika Balsom, Edited by Lucy Reynolds, Edited by Sarah Perks

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An in-depth study of the expanding role of the moving image in British art over the past thirty years Over the past three decades the moving image has grown from a marginalized medium of British art into one of the nationâ€™s most vital areas of artistic practice. How did we get here? Artistsâ€™ Moving Image in Britain Since 1989 seeks to provide answers, unfolding some of the narrativesâ€”disparate, entwined, and often colorfulâ€”that have come to define this field. Ambitious in scope, this anthology considers artists and artworks alongside the organizations, institutions, and economies in which they exist. Writings by scholars from both art history and film studies, curators from diverse backgrounds, and artists from across generations offer a provocative and multifaceted assessment of the evolving position of the moving image in the British art world and consider the effects of numerous technological, institutional, and creative developments. Distributed for the Paul Mellon Center for Studies in British Art

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