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| book details |
Caspar David Friedrich and the Subject of Landscape, Second Edition
By (author)
Joseph Leo Koerner
This book is currently unavailable. Enquire to check if we can source a used copy
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| book description |
Caspar David Friedrich (1774-1840), the greatest painter of the Romantic movement in Germany, was perhaps Europe’s first truly modern artist. His melancholy landscapes, often peopled by lonely wanderers, represent experiments towards a radically subjective art, one in which, as Friedrich wrote, the painter depicts not ‘what he sees before him, but what he sees within him.’ Yet in their awesome power to capture the individuality of visible forms Friedrich’s pictures also accept and express the irredeemable otherness of Nature. Winner of the 1992 Mitchell Prize for the History of Art, this compelling and highly original book is now made available in a compact pocket format. Beautifully illustrated, Caspar David Friedrich and the Subject of Landscape is the most comprehensive account ever published in English on this most fascinating of nineteenth-century masters.
| product details |
Normally shipped |
Enquiries only
Publisher |
Reaktion Books
Published date |
19 Jun 2012
Language |
Format |
Digital (delivered electronically)
Pages |
364
Dimensions |
0 x 0 x 0mm (L x W x H)
Weight |
0g
ISBN |
978-1-8618-9750-3
Readership Age |
BISAC |
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The Coming Wave: AI, Power and Our Future
Mustafa Suleyman
Paperback / softback
352 pages
was: R 295.95
now: R 265.95
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The Memory Collectors: A Novel
Dete Meserve
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320 pages
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Survive the AI Apocalypse: A guide for solutionists
Bronwyn Williams
Paperback / softback
232 pages
was: R 340.95
now: R 306.95
Forthcoming
Look around you is anything real or normal any more? News, images and videos created by AI are everywhere.
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The Colonialist: The Vision of Cecil Rhodes
William Kelleher Storey
Paperback / softback
528 pages
was: R 425.95
now: R 382.95
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This first comprehensive biography of Cecil Rhodes in a generation illuminates Rhodes’s vision for the expansion of imperialism in southern Africa, connecting politics and industry to internal development, and examines how this fueled a lasting, white-dominated colonial society.
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