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The Pirate's Fiancee: Feminism, Reading, Postmodernism

By (author) Meaghan Morris






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'Appropriation', 'bricolage', 'recording', 'scavenging'-a scenario of image piracy has provided the buzzwords of pop cultural theory for most of the 1980s. while programmes for political action in culture have increasingly taken the form of a romance of buccaneering, the more sedate theoretical disputes about postmodernism have begun to generate a myth that feminists, or even women, have so far said little or nothing about one of the most action-packed debates of the decade. Taking her title from a 1969 film by Nelly Kaplan, Meaghan Morris considers the implications for feminism of a politics which transforms the materials of culture. She also considers the implications for post-modernism and pop theory of recognising the extent to which they already represent a borrowing of feminist thought. In a collection of essays on subjects ranging from blockbuster cinema to art photography, from Foucault to Mary Daly, from Susan Sontag and Jean Baudrillard to Paul Hogan, she argues that a feminist practice of rewriting discourses should emerge from a political critique of the positioning of women, rather than a vague thematics of changing things.

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Normally shipped | Enquiries only
Publisher | Verso Books
Published date | 12 Jul 2018
Language |
Format | Paperback / softback
Pages | 0
Dimensions | 0 x 0 x 0mm (L x W x H)
Weight | 0g
ISBN | 978-1-7887-3555-1
Readership Age |
BISAC | social science / anthropology / cultural


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