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| book details |
The Pirate's Fiancee: Feminism, Reading, Postmodernism
By (author)
Meaghan Morris
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| book description |
'Appropriation', 'bricolage', 'recording', 'scavenging'-a scenario of image piracy has provided the buzzwords of pop cultural theory for most of the 1980s. while programmes for political action in culture have increasingly taken the form of a romance of buccaneering, the more sedate theoretical disputes about postmodernism have begun to generate a myth that feminists, or even women, have so far said little or nothing about one of the most action-packed debates of the decade. Taking her title from a 1969 film by Nelly Kaplan, Meaghan Morris considers the implications for feminism of a politics which transforms the materials of culture. She also considers the implications for post-modernism and pop theory of recognising the extent to which they already represent a borrowing of feminist thought. In a collection of essays on subjects ranging from blockbuster cinema to art photography, from Foucault to Mary Daly, from Susan Sontag and Jean Baudrillard to Paul Hogan, she argues that a feminist practice of rewriting discourses should emerge from a political critique of the positioning of women, rather than a vague thematics of changing things.
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Publisher |
Verso Books
Published date |
12 Jul 2018
Language |
Format |
Paperback / softback
Pages |
0
Dimensions |
0 x 0 x 0mm (L x W x H)
Weight |
0g
ISBN |
978-1-7887-3555-1
Readership Age |
BISAC |
social science / anthropology / cultural
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The Coming Wave: AI, Power and Our Future
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