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Ostrannenie: On ""Strangeness"" and the Moving Image. The History, Reception, and Relevance of a Concept
Edited by Annie van den Oever
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| book description |
Ostrannenie (‘making it strange’) has become one of the central concepts of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the ‘Russian Formalist’ Viktor Shklovsky in 1917, ostrannenie has come to resonate deeply in Film Studies, where it entered into dialogue with the Brechtian concept of Verfremdung, the Freudian concept of the uncanny and Derrida's concept of différance. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry.
| product details |
Normally shipped |
Publisher | Taylor & Francis Ltd
Published date | 1 Oct 2025
Language |
Format | Digital (delivered electronically)
Pages | 280
Dimensions | 0 x 0 x 0mm (L x W x H)
Weight | 0g
ISBN | 978-1-0407-7731-2
Readership Age |
BISAC | performing arts / film & video / general
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Mason Coile
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