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Post-Monolingual Anglophone Novels: Writing Beyond English

By (author) Birgit Neumann





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Engaging with recent research in literary multilingualism studies, the global anglophone and comparative studies, this book theorizes so-called post-monolingual anglophone novels. Inspired by Yasemin Yildiz’s Beyond the Mother Tongue: The Postmonolingual Condition (2012), post-monolingual anglophone novels are understood as literary texts that activate multi- and translingual strategies to mount a challenge to the ‘monolingual norm’ and the homogenizing aspirations of English. Post-monolingual novels employ literary configurations of multi- and translingualism without ignoring the ongoing validity of the monolingual norm in the international book market and major civil institutions. This corpus of texts is therefore highly self-conscious about the use of language. As post-monolingual novels stage exchange and movement between languages, they also model, in the realm of fiction, new concepts of language. In several case studies of contemporary anglophone post-monolingual novels from different parts of the world, the book demonstrates how the post-monolingual in literature operates within different cultural, and political contexts. The readings of Arundhati Roy’s The Ministry of Utmost Happiness, Yvonne A. Owuor’s The Dragonfly Sea, Marlon James’s A Brief History of Seven Killings, J.M. Coetzee’s The Childhood of Jesus and Ocean Vuong’s On Earth We’re Briefly Gorgeous propose theoretically and methodologically innovative ways of engaging with literary multi- and translingualism. While the analyses focus on the post-monolingual poetics, they also give attention to the novels’ modes of production and circulation in the anglosphere.

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Normally shipped | Enquiries only
Publisher | Taylor & Francis Ltd
Published date | 19 Sep 2025
Language |
Format | Digital (delivered electronically)
Pages | 274
Dimensions | 0 x 0 x 0mm (L x W x H)
Weight | 0g
ISBN | 978-1-0403-9430-4
Readership Age |
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