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Going Dark: The Contemporary Figure at the Edge of Visibility

Edited by Ashley James, Contributions by Rio Cortez, Contributions by Marwa Helal, Contributions by Kristian Henson, Contributions by Harmony Holiday, Contributions by Nontsikelelo Mutiti, Contributions by Hassan Rahim, Contributions by Kevin Young, Text by Jordan Carter, Text by Ayanna Dozier

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From Dawoud Bey and Lorna Simpson to Sondra Perry and Kerry James Marshall, a multiethnic group of artists explores what it means to be seen, not seen or erased in the world through formal experimentations with the figure Going Dark brings together a multigenerational group of contemporary artists who engage the ""semi-visible"" figureâ€”representations that are partially (or fully) obscured, including, in some cases, literally darkenedâ€”and suggests that the concept of going dark is a tool that has been used by artists for decades to probe enduring questions surrounding both the potential and the discontents of social visibility. Across mediumsâ€”painting, photography, sculpture, video and installationâ€”Going Dark names, charts and makes meaning of the semi-visible figure, arguing for its significance in contemporary art as a genre of unique conceptual and formal power. Approximately 120 works in all of these mediums by more than 25 artists are featured. Essays by such curators as Legacy Russell and Jordan Carter, and professor Abbe Schriber, among others, contextualize the histories that inspired these works. In addition, four award-winning poets and three acclaimed graphic designers have contributed works. Artists include: American Artist, Kevin Beasley, Rebecca Belmore, Dawoud Bey, John Edmonds, Ellen Gallagher, David Hammons, Lyle Ashton Harris, Tomashi Jackson, Titus Kaphar, Glenn Ligon, Kerry James Marshall, Tiona Nekkia McClodden, Joiri Minaya, Sandra Mujinga, Chris Ofili, Sondra Perry, Farah Al Qasimi, Faith Ringgold, Doris Salcedo, Lorna Simpson, Sable Elyse Smith, Stephanie Syjuco, Hank Willis Thomas, WangShui, Carrie Mae Weems and Charles White.