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Punk Ethnography: The Sublime Frequencies Companion

Edited by Michael Veal, Edited by E. Tammy Kim

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normal price: R 850.95

Price: R 808.95


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This ground-breaking case study examines record production as ethnographic work. Since its founding in 2003, Seattle-based record label Sublime Frequencies has produced world music recordings that have been received as radical, sometimes problematic critiques of the practices of sound ethnography. Founded by punk rocker brothers Alan and Richard Bishop, along with filmmaker Hisham Mayet, the label’s releases encompass collagist sound travelogues; individual artist compilations; national, regional and genre surveys, and DVDs—all designed in a distinctive graphic style recalling the DIY aesthetic of punk and indie rock. Sublime Frequencies’ producers position themselves as heirs to canonical ethnographic labels such as Folkways, Nonesuch, and Musique du Monde, but their aesthetic and philosophical roots in punk, indie rock, and experimental music effectively distinguish their work from more conventional ethnographic norms. Situated at the intersection of ethnomusicology, sound studies, cultural anthropology, and popular music studies, the essays in this volume explore the issues surrounding the label—including appropriation and intellectual property—while providing critical commentary and charting the impact of the label through listener interviews.

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Normally shipped | This title will take longer to obtain, and should be delivered in 6-8 weeks
Publisher | Wesleyan University Press
Published date | 17 Nov 2016
Language |
Format | Paperback / softback
Pages | 352
Dimensions | 235 x 156 x 0mm (L x W x H)
Weight | 0g
ISBN | 978-0-8195-7653-8
Readership Age |
BISAC | social science / anthropology / cultural


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Normally shipped | Usually dispatched in 3 to 4 weeks as supplier is out of stock
Readership Age |
Normal Price | R 1,179.95
Price | R 1,120.95 | on special |



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