Bookshelf
| can't find it |

| browse books |
books
 

| book details |

Allan Rohan Crite: Neighborhood Liturgy

Edited by Diana Seave Greenwald, Edited by Christina Michelon, Contributions by Paula C. Austin, Contributions by Julie Caro, Contributions by Efeoghene Igor Coleman, Contributions by Theodore C. Landsmark

| on special |

normal price: R 1 254.95

Price: R 1 192.95


| book description |

The first major book about an artist of powerful significance to twentieth-century Black and American art The artist Allan Rohan Crite (1910–2007) was a community leader, mentor, and tireless recorder of the people and places of Boston, where he lived for the better part of a century. Before the age of forty, he had exhibited at the Museum of Modern Art, sold work to the important collector Duncan Phillips, and earned the respect of fellow Black artists around the country. But Crite’s decision to stay in Boston and his commitment to depicting middle class Black life and religious subjects relegated him to the margins of art histories that put the Harlem Renaissance at the center. Allan Rohan Crite: Neighborhood Liturgy, the first major book dedicated to this important artist, is a richly illustrated and wide-ranging celebration of a figure whose vast body of work deserves a much broader audience. Crite trained at the School of the Museum of Fine Arts in Boston and became a self-described “artist-reporter,” drawing and painting vivid scenes of everyday life in Roxbury, the South End, and other Boston neighborhoods, while grappling with the ways they were transformed in the second half of the century by “urban renewal,” gentrification, and changing demographics. Working in oil, watercolor, lithography, book illustration, and beyond, he incorporated spiritual themes in his work throughout his career, blurring the secular and the sacred. Featuring essays by leading scholars of African American art, Black intellectual history, and urban studies, as well as oral histories by contemporary artists and Crite’s friends, Allan Rohan Crite reveals the radical power of Crite’s art and its profound influence on generations of artists, activists, and community leaders. Distributed for the Isabella Stewart Gardner Museum Exhibition Schedule Isabella Stewart Gardner Museum, Boston October 23, 2025–January 19, 2026 Boston Athenaeum October 15, 2025–January 24, 2026 Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey February 4, 2026–July 31, 2026

| product details |



Normally shipped | Forthcoming. We are not accepting backorders for this item yet
Publisher | Princeton University Press
Published date | 21 Oct 2025
Language |
Format | Hardback
Pages | 176
Dimensions | 273 x 235 x 0mm (L x W x H)
Weight | 0g
ISBN | 978-0-6919-7394-4
Readership Age |
BISAC | art / american / african-american


| other options |



Normally shipped | Forthcoming. Coming into print soon, we are accepting back orders for this item
Readership Age |
Normal Price | R 1 447.95
Price | R 1 374.95 | on special |



| your trolley |

To view the items in your trolley please sign in.

| sign in |

| specials |

The Coming Wave: AI, Power and Our Future

Mustafa Suleyman
Paperback / softback
352 pages
was: R 295.95
now: R 265.95
Stock is usually dispatched in 6-12 days from date of order


Survive the AI Apocalypse: A guide for solutionists

Bronwyn Williams
Paperback / softback
232 pages
was: R 340.95
now: R 306.95
Stock is usually dispatched in 6-12 days from date of order

Look around you is anything real or normal any more? News, images and videos created by AI are everywhere.

The Memory Collectors: A Novel

Dete Meserve
Paperback / softback
320 pages


Enquiries only


The Colonialist: The Vision of Cecil Rhodes

William Kelleher Storey
Paperback / softback
528 pages
was: R 425.95
now: R 382.95
Usually dispatched in 6-12 days

This first comprehensive biography of Cecil Rhodes in a generation illuminates Rhodes’s vision for the expansion of imperialism in southern Africa, connecting politics and industry to internal development, and examines how this fueled a lasting, white-dominated colonial society.