| book details |

Six Walks in the Fictional Woods

By (author) Umberto Eco, Foreword by Louis Menand

| on special |

normal price: R 789.95

Price: R 710.95

| add to trolley |

| book description |

â€œErudite, wide-ranging, and slyly humorous.â€ â€”The Atlantic One of the great novelists and public intellectuals of our time gives a master class on the philosophy of fiction. Umberto Eco was fond of pointing out that all writing is narrative. He published his famed debut novel The Name of the Rose when he was forty-eight years old, yet he believed that everything he had written to that pointâ€”from treatises on semiotics to essays on mass cultureâ€”took the form of a story. To Eco, scholarship, much like fiction, was shaped by narrative. It was the stuff of life itself. Six Walks in the Fictional Woods, a collection of essays based on Ecoâ€™s 1992â€“1993 Norton Lectures at Harvard, illuminates fictionâ€™s porous boundariesâ€”in particular, the myriad ways that literary works conscript readersâ€™ experiences and expectations. Fiction, says Eco, can offer metaphysical comfort by appealing to our desire for a smaller, more legible world, one that gives a definitive answer to the question of â€œwhodunnit?â€ But it also makes demands of us, presupposing a model reader who possesses the cultural knowledge necessary to interpret the text, as well as a willingness to follow the never-quite-specified rules of the literary game. Whether he is dissecting grammatical ambiguities in GÃ©rard de Nervalâ€™s nineteenth-century romantic masterpiece Sylvie, studying the rhythms of Ian Flemingâ€™s James Bond novels, or tracing the web of fraud and misattribution that produced the antisemitic conspiracy theory of The Protocols of the Elders of Zion, this is Eco at his very best: intellectually omnivorous, endlessly fascinated by hoaxes, and always an adept navigator of the narrative forests that surround us.