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Art History, After Sherrie Levine

By (author) Howard Singerman






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This book examines the career of New York-based artist Sherrie Levine, whose 1981 series of photographs after Walker Evans - taken not from life but from Evans' famous depression-era documents of rural Alabama - became central examples in theorizing postmodernism in the visual arts in the 1980s. For the first in-depth examination of Levine, Howard Singerman surveys a wide variety of sources, both historical and theoretical, to assess an artist whose work was understood from the outset to challenge both the label artist and the idea of oeuvre - and who has over the past three decades crafted a significant oeuvre of her own. Singerman addresses Levine's work after Evans, Brancusi, Malevich, and others as an experimental art historical practice - material reenactments of the way the work of art history is always doubled in and structured by language, and of the ways the art itself resists.

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Normally shipped | Enquiries only
Publisher | University of California Press
Published date | 2 Dec 2011
Language |
Format | Hardback
Pages | 312
Dimensions | 229 x 152 x 25mm (L x W x H)
Weight | 513g
ISBN | 978-0-5202-6721-3
Readership Age |
BISAC | art / history / modern (late 19th century to 1945)


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