Bookshelf
| can't find it |

| browse books |
books
 

| book details |

Dance: American Art, 1830-1960

Edited by Jane Dini, By (author) Thomas F. DeFrantz, By (author) Lynn Garafola, By (author) Dakin Hart, By (author) Constance Valis Hill, By (author) Analisa Leppanen-Guerra, By (author) Valerie J. Mercer, By (author) Jacqueline Shea Murphy, By (author) Kenneth John Myers, By (author) E. Bruce Robertson

| on special |

normal price: R 1 546.95

Price: R 1 469.95


| book description |

A landmark examination of the art and artists inspired by American dance from 1830 to 1960 As an enduring wellspring of creativity for many artists throughout history, dance has provided a visual language to express such themes as the bonds of community, the allure of the exotic, and the pleasures of the body.  This book is the first major investigation of the visual arts related to American dance, offering an unprecedented, interdisciplinary overview of dance-inspired works from 1830 to 1960.    Fourteen essays by renowned historians of art and dance analyze the ways dance influenced many of America’s most prominent artists, including George Caleb Bingham, William Sidney Mount, Winslow Homer, John Singer Sargent, Cecilia Beaux, Isamu Noguchi, Aaron Douglas, Malvina Hoffman, Edward Steichen, Arthur Davies, William Johnson, and Joseph Cornell.  The artists did not merely represent dance, they were inspired to think about how Americans move, present themselves to one another, and experience time. Their artwork, in turn, affords insights into the cultural, social, and political moments in which it was created. For some artists, dance informed even the way they applied paint to canvas, carved a sculpture, or framed a photograph.  Richly illustrated, the book includes depictions of Irish-American jigs, African-American cakewalkers, and Spanish-American fandangos, among others, and demonstrates how dance offers a means for communicating through an aesthetic, static form.   Distributed for the Detroit Institute of Arts Exhibition Schedule: Detroit Institute of Arts (03/20/16–06/12/16) Denver Art Museum (07/10/16-10/02/16) Crystal Bridges Museum of American Art (10/22/16-01/16/17)

| product details |



Normally shipped | Usually dispatched in 3 to 4 weeks as supplier is out of stock
Publisher | Yale University Press
Published date | 1 Mar 2016
Language |
Format | Hardback
Pages | 304
Dimensions | 279 x 254 x 0mm (L x W x H)
Weight | 2019g
ISBN | 978-0-3002-1161-0
Readership Age |
BISAC | performing arts / dance / general


| other options |



Normally shipped | This title will take longer to obtain, and should be delivered in 6-8 weeks
Readership Age |
Normal Price | R 1 870.95
Price | R 1 777.95 | on special |



| your trolley |

To view the items in your trolley please sign in.

| sign in |

| specials |

Survive the AI Apocalypse: A guide for solutionists

Bronwyn Williams
Paperback / softback
232 pages
was: R 340.95
now: R 306.95
Stock is usually dispatched in 6-12 days from date of order

Look around you is anything real or normal any more? News, images and videos created by AI are everywhere.

The Memory Collectors: A Novel

Dete Meserve
Paperback / softback
320 pages


Enquiries only


The Coming Wave: AI, Power and Our Future

Mustafa Suleyman
Paperback / softback
352 pages
was: R 295.95
now: R 265.95
Stock is usually dispatched in 6-12 days from date of order


The Colonialist: The Vision of Cecil Rhodes

William Kelleher Storey
Paperback / softback
528 pages
was: R 425.95
now: R 382.95
Usually dispatched in 6-12 days

This first comprehensive biography of Cecil Rhodes in a generation illuminates Rhodes’s vision for the expansion of imperialism in southern Africa, connecting politics and industry to internal development, and examines how this fueled a lasting, white-dominated colonial society.