Bookshelf
| can't find it |

| browse books |
books
 

| book details |

Picturing Indians: Photographic Encounters and Tourist Fantasies in H.H.Bennett's Wisconsin Dells

By (author) Steven D. Hoelscher, Foreword by Paul S. Boyer

| on special |

normal price: R 742.95

Price: R 705.95


| book description |

Today a tourist mecca, the area now known as the Wisconsin Dells was once wilderness - and a gathering place for the region's Native peoples, the Ho-Chunk, who for centuries migrated to this part of the Wisconsin River for both sustenance and spiritual renewal. By the late 1800s their numbers had dwindled through displacement or forcible removal, and it was this smaller band that caught the attention of photographer Henry Hamilton Bennett. Having built his reputation on his photographs of the Dells' steep gorges and fantastic rock formations, H. H. Bennett now turned his camera upon the Ho-Chunk themselves, and thus began the many-layered relationship unfolded by Steven D. Hoelscher in """"Picturing Indians: Photographic Encounters and Tourist Fantasies in H. H. Bennett's Wisconsin Dells"""".The interactions between Indian and white man, photographer and photographed, suggested a relationship in which commercial motives and friendly feelings mixed, though not necessarily in equal measure. The Ho-Chunk resourcefully sought new ways to survive in the increasingly tourist-driven economy of the Dells. Bennett, struggling to keep his photography business alive, capitalized on America's comfortably nostalgic image of Native peoples as a vanishing race, no longer threatening and now safe for white consumption.Hoelscher traces these developments through letters, diaries, financial records, guidebooks, and periodicals of the day. He places Bennett within the context of contemporary artists and photographers of American Indians and examines the receptions of this legacy by the Ho-Chunk today. In the final chapter, he juxtaposes Bennett's depictions of Native Americans with the work of present-day Ho-Chunk photographer Tom Jones, who documents the lives of his own people with a subtlety and depth foreshadowed, a century ago, in the flickers of irony, injury, humor, and pride conveyed by his Ho-Chunk ancestors as they posed before the lens of a white photographer.

| product details |



Normally shipped | Available from overseas. Usually dispatched in 14 days
Publisher | University of Wisconsin Press
Published date | 18 Jul 2008
Language |
Format | Paperback / softback
Pages | 212
Dimensions | 248 x 200 x 12mm (L x W x H)
Weight | 716g
ISBN | 978-0-2992-2604-6
Readership Age |
BISAC | social science / ethnic studies / native american studies


| other options |


| your trolley |

To view the items in your trolley please sign in.

| sign in |

| specials |

The Colonialist: The Vision of Cecil Rhodes

William Kelleher Storey
Paperback / softback
528 pages
was: R 425.95
now: R 382.95
Usually dispatched in 6-12 days

This first comprehensive biography of Cecil Rhodes in a generation illuminates Rhodes’s vision for the expansion of imperialism in southern Africa, connecting politics and industry to internal development, and examines how this fueled a lasting, white-dominated colonial society.

The Coming Wave: AI, Power and Our Future

Mustafa Suleyman
Paperback / softback
352 pages
was: R 295.95
now: R 265.95
Stock is usually dispatched in 6-12 days from date of order


The Memory Collectors: A Novel

Dete Meserve
Paperback / softback
320 pages


Enquiries only


Survive the AI Apocalypse: A guide for solutionists

Bronwyn Williams
Paperback / softback
232 pages
was: R 340.95
now: R 306.95
Stock is usually dispatched in 6-12 days from date of order

Look around you is anything real or normal any more? News, images and videos created by AI are everywhere.