|
|
| book details |
Sideshow U.S.A: Freaks and the American Cultural Imagination
By (author) Rachel Adams
| book description |
A staple of American popular culture during the 19th and early 20th centuries, the freak show seemed to vanish after the Second World War. But as Rachel Adams reveals in Sideshow USA , images of the freak show, with its combination of the grotesque, the horrific and the amusing, stubbornly reappeared in literature and the arts. Freak shows, she contends, have survived because of their capacity for reinvention. Empty of any inherent meaning, the freak's body becomes a stage for playing out some of the 20th century's most pressing social and political concerns, from debates about race, empire and immigration, to anxiety about gender, and controversies over taste and public standards of decency. Sideshow USA begins by revisiting the terror and fascination the original freak shows provided for their audiences, as well as exploring the motivations of those who sought fame and profit in the business of human exhibition. With this history in mind, Adams turns from live entertainment to more mediated forms of cultural expression: the films of Tod Browning, the photography of Diane Arbus, the criticism of Leslie Fiedler and the fiction of Carson McCullers, Toni Morrison and Katherine Dunn. Taken up in these works of art and literature, the freak serves as a metaphor for fundamental questions about self and other, identity and difference, and provides a window onto a once vital form of popular culture. Adams's study concludes with a revealing look at the revival of the freak show as live performance in the late 1980s and the 1990s. Celebrated by some, the freak show's recent return is less welcome to those who have traditionally been its victims. At the beginning of a new century, Adams sees it as a form of living history, a testament to the vibrancy and inventiveness of American popular culture, as well as its capacity for cruelty and injustice.
| product details |
Normally shipped |
Publisher | The University of Chicago Press
Published date | 2 Jan 2002
Language |
Format | Hardback
Pages | 280
Dimensions | 235 x 159 x 19mm (L x W x H)
Weight | 534g
ISBN | 978-0-2260-0538-6
Readership Age |
BISAC | performing arts / circus
| other options |
|
|
|
To view the items in your trolley please sign in.
| sign in |
|
|
|
| specials |
|
With film rights snapped up by an Oscar winning Hollywood production company, rights sold in a world record 43 territories, and rave blurbs from David Baldacci, Lee Child and A.
|
The Instant Sunday Times Bestseller Learn how to recognise and resist the daily attempts to control and manipulate your mind.
|
The Thing at 52 is a beautiful picture book about friendship, loneliness and learning how to say goodbye.
|
|
|
|
